I just tried out another self-publishing experiment – the giveaway competition. This was organised through my publisher Feedaread. You post an extract which people are invited to read and then complete an entry form to win a free copy so it is very simple for people to do. You have to pay the cost of the prizes and postage and you choose how many copies you want to offer as prizes.I chose to run the competition for my new short story collection, Plotlands. I did quite a bit of social media advertising of the competition over a few weeks as the entry period runs for a month. Problem is to reach people without boring them to death with constant bombardment so I tried to stagger posts/tweets etc between different media over time.I was interested to see that each time I posted something, entries resulted, though there wasn’t a huge number of entrants. I also got more views on the page I had created on Facebook specifically for the book and even a few purchases, though whether that was due to the competition or just due to word of mouth/responses to reviews buyers, I don’t know. I enjoyed monitoring the competition and finding out who had won, funnily enough it was won by someone I know, so it was a good job I had nothing to do with the selection, which was done by Feedaread. So although I didn’t get a mega response it was a fun experience and made me feel more connected with potential readers. I’d definitely do it again and am planning to run a comp for my other short story collection in the near future.
Well I’ve been silent on here for a bit but that’s due to lots of stuff going on with publishing and marketing my new book Plotlands, which is a collection of strange short stories set in Wales, and then of course everything stops for the build up to Christmas. I hope everyone had a great Christmas, mine was a good mix of meeting up with friends and family interspersed with days of quiet for rest and reflection (and tidying up of course). Even managed our usual trip out to Blackpool for fish and chips on Boxing Day.
Anyway on to the main business of the book trailer. This has been a new venture for me and has only been made possible by harnessing the techy skills of my brilliant son, Ted Fenlon and his modestly named Kraplaptop productions. He’s made other short music videos in the past and so I floated the idea of producing something promotional for Plotlands. It took quite a while for him to get the graphics right , using the book cover as the main image with accompanying rolling text and the music is his own composition and sounds suitably menacing and eerie.
I’m really pleased with the result and have been flashing it about on various social media sites – just a bit more fun than the usual book blurb. Unfortunately this page doesn’t support video files but if you’re interested you can find it on Youtube https://www.youtube.com/watch?v=CoELiTy2qCA
Looking forward to a Happy New Year to writers and readers everywhere and much success in 2017
When is a group of short stories a collection? I have the honour of being on the shortlisting panel for the Edge Hill University Short Story Collection Prize which is given annually for a published single author short story collection. After several years I still haven’t come to terms with the question of whether a book of short stories should be bound together by something more than the cover: should there be some kind of joining thread or theme, other than the fact that they have all been written by the same person?
Collections by established writers often consist of a gathering up of various stories which have been published in magazines and anthologies, or which have won prizes. In some cases this leads to stories, which work perfectly well as stand alone pieces, becoming tediously repetitive when put together in a collection due to the author’s conscious or unconscious frequent use of similar settings or motifs.
I’m not talking here about the recurrent themes that run through every writer’s work. Such themes and devices are expected and pleasurable factors which enable the reader to identify the writer’s voice but what pokes you in the eye with some collections is the overuse of settings and situations. For example, in one collection I read, 7 out of 10 stories were about lesbian couples with a dog, living in virtually identical domestic settings. Published singly, this would not be noticed, perhaps even by the author him/herself but put them all together and by the time you get halfway through the book, you are becoming bored with the lack of freshness, no matter how good the individual stories.
On the other hand, maybe themed collections too can be repetitive. It’s difficult to find fresh angles on a specific theme to give surprise and delight to the reader. Having to write a dozen stories on a single theme such as the sea, can also constrain the writer, with the result that such ‘commissioned’ stories may not be as good as their best work which comes from their own creative direction.
Sometimes short story collections are so tightly themed and interlinked that they might be read as novels so that further questions arise as to whether they should be considered collections at all.
Personally I used to feel that lumping together a lot of discrete stories doesn’t constitute a collection but I’m beginning to change my mind. It’s a different matter when the works of a dead author are collected together and I can see that it is helpful to the reader who admires a specific writer (dead or alive) to be able to access their work in one or two volumes rather than having to do extensive research to track single texts down. But I still have a love affair with theme; still feel that handled well, a themed collection makes so much more of a satisfying whole.